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Showing posts with label film industry. Show all posts
Showing posts with label film industry. Show all posts

Friday, February 3, 2023

When love is forever, death is only the beginning: will it lead to forgiveness or revenge?

  


Never Can Say Good-bye tells the parallel storylines of the past and the present as the reincarnated souls are forced to decide between forgiveness and seeking the revenge they were denied in the past.


INT. RAMSDELL LIVING ROOM: NIGHT

Amanda talks on the phone.  Michael nervously paces.  He touches the repaired damage on the grand piano.    

                AMANDA

        (frustrated)

    I already asked him. She doesn't let people get close to her.  

Amanda watches Michael.  He stares up at Sara Jane's portrait.

                AMANDA (CONT.)

    Daniel, I have to call you back.

She hangs up the phone.

                MICHAEL

        (without turning around)

    The memories are getting more intense.

                AMANDA

    I knew they would.

                MICHAEL

    I have to know the whole truth. 

                AMANDA

    You will when it is time.

                MICHAEL

        (touching the piano)

     This is Sara Jane's.

Amanda nods.

                MICHAEL (CONT.)

    She loved music. 

                AMANDA

    Both her and Mother. It was their secret language. They were so close.  Sometimes I would get               jealous. They would always just seem to know and find a way to include me.  They'd make up a silly     rhythm...

Amanda becomes momentarily lost in the pleasant memory.

                MICHAEL

    She loved the guitar I bought her.

        (indicating the piano)

    But this was special to her.

                AMANDA

    It was a gift from Mother.  Father was furious when she took it with her.  But it was hers to take. 

                MICHAEL

        (pleading)

    Where is she?

                AMANDA

    It's not my place to interfere.   

                MICHAEL

    Where is Sara Jane?

                AMANDA

    I can't answer that.

                MICHAEL

        (angrily)

    Can't or won't?

                AMANDA

    Sara Jane might not be ready to deal with the past.  I'm not even sure you are.

                MICHAEL

    What if she can't forgive me?  What if she can't love me again. She begged. I couldn't let her leave.  

                AMANDA

    Could you now, if it was best for her?

                MICHAEL

    I don't know.

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Sunday, May 6, 2018

A woman who flourished where angels and fools fear to tread


 For most of my life, people have been telling me not to try or to give up. They said my goals were impossible--that I couldn't possibly make any of it happen. But, what they were really saying was that it was impossible for them. Since they couldn't, I shouldn't even try. It was too bad and so sad that they empowered their fears and self-doubts instead of finding their own inner courage ignore the negative message. If you believe you can't, then you can't; yet if you are certain you can, you can find or make a way to reach your goals. I changed the punctuation, which modified the message to "I'm possible." What they didn't understand is that every time they said I couldn't, not only did I proved them wrong, but I did it so well that they looked foolish for doubting me.


I am a creative with a good business sense. As a storyteller, I tell tales about those who find the courage or are forced by circumstances beyond their control to face their deepest, darkest fears. As a producer, I use innovation, moxie, and the highest production standards to produce film and television projects. I base my projects on age, gender, and ethnic diversity both in front of and behind the cameras.




No matter what the venue, you first must start with an original concept and a well-crafted script. Adding the current visual/special effects or new talent doesn't make a project new, which makes nearly all remakes and sequels reruns.



The current trend of focusing on A-list talent and high price tent poles projects only serves to reduce the number of projects produced every year, which increases the financial risk to the investors and the production company. Just because it worked before doesn't mean it will be successful again. Original projects initially carry more risk, but the truly innovative ones become the trendsetters and sent new bars for profitability. Casting talent in an inappropriate role, no matter what their marketing rating, will only serve to increase the budget and will hurt the project at the box office. However, casting a talented unknown in the right role will garner the audiences and create a future A-list talent. 










Money can't fix a bad project. By substituting money for innovation is throwing good after bad and is the main ingredient in producing a disaster. Business 101 states that profitability comes when you give the public what they want at a cost-effective price. Business 102 states that if you treat your people well, they will treat you well, which means paying them a living wage and giving them respect. These are two elements many in the business community have forgotten, which is why the economy is still challenged.







Although I have not served, I use my talents to actively support military personnel and veterans. Recently, I was asked why. The answer is simple. I don't have the temperament to serve. Nearly all of my time would have been spent in the stockade. Besides, I am only capable of shooting off my mouth. But at that, I'm a markswoman because I know how to use words as weapons. 





Most of those who serve signed their name and dedicated their lives to serving and protecting their country and the world. However, killing others is an unfortunate necessity for both sides of conflicts. This is a major disconnect that causes most of the emotional issues for those served. In order to defend, they have to kill. But killing is contradictory to their need to protect. I met a gentleman, who served during WWII, who put it the best. Looking back on his life, he felt guilty over the good men he killed just because they belonged to the other side and for his buddies, he was unable to save. Now decades later, those memories tore him up inside, because he couldn't stop thinking about them



Those who serve the nation are people, not disposable parts of the war machine and they are especially not political footballs that are to be used, abused, and then losed at the whims of politicians.


My job is to make sure civilians and especially politicians never forget that.



I am proud of my work. It will make you laugh, cry, and scare your socks off. But it will also inspire you to see the world in new ways. Join my team and become the difference you want to see in the world.





















Friday, October 16, 2015

What's more important? Talent or Numbers?



I would like your help proving a point. Since the bean counters took over the entertainment industry, it has been less about talent and nearly completely about numbers. I would like your help using that misconception against them. The prime example is Michael Keaton. He is a very talented actor who has done amazing work, but his random numbers on IMDB said he was cold until he did Birdman. Sally Kirkland is another example. She is an Oscar nominee and Golden Globe winner. Yet simply because she doesn't have people visiting her IMDB page on a regular basis, she is not considered marketable. It seems the numbers people only want what other people have. That is the fallacy that I want to use against them. Sally will be starring as Amanda in Never Can Say Good-bye. If you believe that talent should matter more than random numbers, I am asking you to visit her IMDB page as well as mine and Never Can Say Good-bye’s page. You need to stay about 30 seconds for it to register. You don’t need to have an account. It would also help if you click on the Facebook like button. Please share my request with your friends, family, and on your social networking sites. Together we can prove the bean counters wrong. Thank you in advance.


http://www.imdb.com/name/nm4183095/?ref_=rvi_nm
http://www.imdb.com/name/nm0000476/
http://www.imdb.com/title/tt3138218/combined



The ghost of a murdered child brings his reincarnated parents back together. They need to forgive so that he will be freed to reincarnate? Can they forgive or will they take revenge on his murderer?
Never Can Say Good-bye is a Paranormal Thriller, which is comparable to Ghost, The Others, and the original Dark Shadows series.


Wednesday, June 20, 2012

Film Financing

 Until You Walk The Path, You Won’t Know Where it Goes is hosting  director  and producer Steven Rumbelow of Renegade Motion Pictures Corp.  at 1 pm eastern on  June 14 as we talk about film financing.  This is part two of the discussion.  We will be talking about how to find financing for the first half and answering questions during the second..

Rumbelow has directed over 200 productions in all media (9 feature films, about 70 major stage productions, 64 episodic TV productions, scores of music videos, about 20 commercials, TV Specials, opera and dance).  These productions have won over 100 awards between them including several Bessies for the commercials, three Outstanding Film of the Year awards at the London Film Festival and his production of Moby Dick (starring William L. Petersen and Ted Levine) was nominated for 11 Chicago Jefferson Awards of which it won four. His reputation has been built on cutting-edge and high-quality independent productions in all media that are conceptual and visually dynamic.

Renegade Motion Picture Corporation is dedicated to high-concept, low-budget production in all media. Renegade's impressive list of productions includes feature films, TV specials, music videos, commercials and live theatre. We do things differently that's how we get things produced. Renegade is at the forefront of technology in the film industry, and has established itself as a leader in digital production that works to achieve continuous self improvement whilst upholding honesty and integrity in creative standards.

The company is headed and founded by award winning, writer/director Steven Rumbelow.   Chairman of the company, from it's inception was Frank Capra Jr. who was responsible for the production of four of the 20 top grossing indies of all time. Sadly, Frank passed away in December of 2007.
  
Rumblelow’s website http://stevenrumbelow.com/
Renegade Motion Picture Corp. http://renegademotionpictures.com
Beyond The Series http://beyondtheseries.com/

To learn more about film and television financing  please join us at http://www.blogtalkradio.com/theresachaze on June 14  at 1 pm eastern.  The phone lines and chat will be available for those who wish to participate. The phone number is (347) 838-9927.

The interview will be available in the archives at http://www.blogtalkradio.com/theresachaze/2012/06/21/until-you-walk-the-path-you-wont-know-where-it


To listen to part one go to  http://www.blogtalkradio.com/theresachaze/2012/06/14/until-you-walk-the-path-you-wont-know-where-it




Thursday, September 9, 2010

Interview with Producer and Networking Expert Stephen Mitchell

Until You Walk the Path, You Don’t Know Where it Goes will be hosting producer and networking expert, Stephen Mitchell on September 12 at 5 pm eastern.

Although born and raised in Southern California, Stephen Mitchell began his film making career in Paris, France with the satirical Montmartre, followed shortly by The French Chef, which starred the Cesar-winning actor Philippe Leotard. Since returning to California, Stephen has written, produced and directed 12 movies, created and produced more than a thousand televised one-act plays and the critically-acclaimed Confessions web and (Interview) television series. He judged Best Directing in a Comedy Series for the Cable ACE awards during the last nine years of its existence. In 2001, he authored the book How to Start a Hollywood Career Without Having to Go There.

In 1980, Stephen founded an entertainment industry think tank in the guise of a repertory company for film and television labeled The New Hollywood Studio System. In the repertory environment, Stephen authored a number of intellectual properties including the Action/ReAction technique for actors and a curriculum for writer/directors; both bearing directly on advertising and marketing concerns. .In formulating the New Hollywood Studio System, he felt it was important to take into account the present-day dynamics affecting the world of entertainment content, advertising and public relations as well as the development and management of talent..

In 1985, Stephen pioneered a unique application of product integration in branded entertainment with his cable TV series (Interview). .I wanted to sell a product that nobody wanted to a public that had an aversion to buying. It was important to him that the show, which was actually a 28-minute commercial, be perceived as entertainment and not as a product pitch. Furthermore, it was imperative that, in purchasing the product, the buyer was made to feel part of a select group of cognoscenti.. The series was lauded by critics and attracted a cult following that included Oscar, Emmy, Peabody and Grammy winners. It succeeded in attracting buyers for his ideas and garnered a first-look deal for him with Tri-Star Pictures. (http://www.cineparis.net/ints/int.html)

Mitchell has been one of the driving forces behind InterFund. A new business social networking site, which provides entrepreneurs and project originators with a venue in which to privately expose their business plans to qualified and vetted funders. It is often the case that networking groups suffer from the fact that the membership consists entirely of those seeking funding and lack parties able to bring funds to a project. http://interfund.biz

Currently, Mitchell is producing a documentary on the Ferrari GTO, one of which he used to own, and he is co-producing a documentary on the tobacco industry with Charlie Evans Jr (The Aviator).

Tune in at http://www.blogtalkradio.com/theresachaze on September 12 at 5:00 pm eastern to learn more about film industry from insider Stephen Mitchell.. The phone lines and chat will be available for those who wish to talk to Mitchell call (347) 324-3745 or Skype is available by using the click to talk on the show page.. The interactive chat room is also available.