Save our Soaps 2010

Until You Walk the Path, You Won’t Know Where it Goes will be hosting one of the event coordinators of the “Save Our Soaps Rally”, Sue O'Konis on August 29 at 5 pm eastern.

The cancellation of Guiding Light and As the World Turns has caused the fans to band together. Originally, Sue O’Knois and other created websites, mailings and rallies to save their favor soaps. However, they quickly learned the entire genre was in danger of disappearing from their screens. Instead of giving up, they have expanded their efforts.

Tune in at http://www.blogtalkradio.com/theresachaze on August 29 at 5:00 pm eastern to learn what Sue O’Knois and the others at “Save Our Soaps 2010” The phone lines and chat will be available for those who wish to ask questions or share ideas. The phone number to call is (347) 324-3745 or Skype is available by using the click to talk on the show page.. The interactive chat room is also available.

Buzz Worthy Radio: Elvera Roussel

Elvera Roussel, formerly Hope Bauer Spaulding from CBS Daytime's Guiding Light, will be making her first out of two appearances on BuzzWorthy Radio! Roussel will be joining us to talk about her time on the show during the golden years, and also what she has been up to since she left the show in 1984. Her 2nd appearance, Roussel will be posing as guest co-host for our GL tribute show, to air on BWR August 18, 2009 at 1 PM EST! Guests who are slated to attend are Krista Tesreau (Mindy Lewis), Denise Pence (ex-Katie Parker 1977-1985), and Judi Evans (ex-Beth Raines 1983-1986). We also will be featuring a GL commentary from Mimi Torchin as well, with more guests to be added to the roster. Stay tuned for more information.


http://www.blogtalkradio.com/buzzworthyradio/2009/08/10/BuzzWorthy-Radio-Elvera-Roussel

BuzzWorthy Radio
Call-in Number: (646) 595-4228
Upcoming Show: 8/10/2009 1:00 PM

BuzzWorthy Radio: John Driscoll!

John Driscoll comes back to BuzzWorthy Radio to talk about his new gig on CBS Daytime's The Young and the Restless. Formerly Henry "Coop" Bradshaw from Guiding Light of the same network, hear Driscoll thoughts on the show's cancellation, as well as take calls and questions from fans

BuzzWorthy Radio: Campaigning to Save GUIDING LIGHT!

BuzzWorthy Radio: GUIDING LIGHT!

BuzzWorthy Radio

Date / Time: 4/8/2009 10:30 PM

Call-in Number: (646) 595-4228

http://www.blogtalkradio.com/buzzworthyradio


Join BuzzWorthy Radio as we talk about the latest developments regarding Guiding Light. Hear Tracey Smeltzer on her campaign to keep the show on the air, as well as others discuss on how they felt when they heard the news of the cancellation. Fans are urged to call in and show their support of the show, as well as their favorite moments of the daytime drama! Be sure to also listen in for information on what you can do to keep GL on the air.

In the Zone Radio: Guiding Light Cancellation

On tonight's show we discuss the sad news of GL's cancellation and how and who will be effected by the loss of the 72 year old soap.

BuzzWorthy Radio: Beth Chamberlin!

Beth Chamberlin, who plays the role of Beth Raines on CBS Daytime's Guiding Light, will be making her second appearance on BuzzWorthy Radio! Beth will be discussing the recent return of Phillip Spaulding, played by Grant Aleksander, as well as what is in store for her character as well as more returns along the way.

Days of Our Lives

Here's the deal. I am cleaning up and formatting the script that I have already posted into the correct format. I will be using it as resume material to get a writing gig on one of the other soaps. Although much of it will be familiar who have been keeping up, there have been a reshuffling of the scenes as well as some tweaking. Originally, I put little effort into the scrip, especially in the beginning. This better reflects me as a professional writer. However, since the program I am using doesn't have a spell check, there may still be some typos. If you see any, please let me know in the comments section. Thanks.


Episode on:
http://www.theresachaze.com/files/DOOLepione.pdf

Episode two: http://www.theresachaze.com/files/dayseptwo.pdf

Previously posted:


This is what I previously posted on the NBC Days boards not all of the posting are in the current proper format

http://geocities.com/tirgana/daysofourlives.pdf

http://www.geocities.com/tirgana/Days10-16.pdf

http://www.geocities.com/tirgana/days10-26-08.pdf

http://www.geocities.com/tirgana/days10-31-08.pdf

http://www.geocities.com/tirgana/days11-2-08.pdf

http://www.geocities.com/tirgana/days11-15-08.pdf

http://geocities.com/tirgana/Days12-2-08.pdf

http://geocities.com/tirgana/Days12-8-08.pdf

http://geocities.com/tirgana/day12-14-08.pdf

http://www.geocities.com/tirgana/days12-30-08.pdf


http://www.geocities.com/easternguardian/days1-20-09


If you like what you are reading and would like me to take over as head writer, please contact the following:

Corday Productions Fax number
818)840-4968
Production phone number: 818-295-2820

Sony Pictures owns the rights to Days
Michael Lynton
Chairman & CEO, Sony Pictures Entertainment

Amy Pascal
Co-Chairman, Sony Pictures Entertainment

Sony Pictures Entertainment
12102 West Washington Blvd
Culver City, CA 90232-3195
Phone: (310) 244-4000
Fax: (310) 244-2626
another phone line: 310-244-5722
NBC

NBCUNI.COM FEEDBACK
100 Universal City Plaza
Universal City, CA 91608
The GE Building at Rockefeller Plaza is NBC's corporate headquarters\
Phone: 212-664-4444. Fax: 212-664-4085

GE information
Jeffrey Immelt, CEO
General Electric Company
3135 Easton Turnpike
Fairfield, CT 06828
(203) 373-2211

Writers: Only One Creative Element in Successful Television

Writers: Only One Creative Element in Successful Television

Many writers see themselves as God-almighty when it comes to the projects they work on. They control the motivation, the actions and the outcome from the first page to the last. In novels, this is true, but only if there is a sole author. Every other venue is a collective effort of talents and voices who work together towards a common goal. As long as there is equality and balance, most projects work. When projects fail, it is usually due to a prima donna in the group who insists on singing a soliloquy instead of being part of the chorus.

Although there were will eventually be editors who contribute to the finally draft of a book, the author is the primary creative force. Whether fiction or non-fiction, the author sets both the pace and the direction of the piece. There is one vision, one voice and ultimately one person responsible for the completed project. It is a very self-contained process, with little or no outside creative input until it is offered to the public.

In both movies and television, the writer is the architect who creates the blueprint that others will make a reality. Producers provide the resources and hire the staff. The director organizes the technical staff and builds the structure. The actors and musicians are the interior decorators, who give it color and depth to make it livable. No one role is any more important than another for each contributes equally to the finished product. Like architect, once the writer turns over the script, they are relegated to a consultant role on this project, while moving to their next creative challenge.

In the same way that movies and television differ from books, so does television differ from movies. In most cases, a film is a self contained project that brings together the talent for a single closed-ended event. In television, the major goal is to keep it going indefinitely. Although some of staff may change, there is always a group who will remain from the moment the lights were turned on to they go dark. The longer the show runs the smaller the inner core comes. It is this group who are the ultimate experts on the show; they are living biographies of the characters and the show’s history.

In most cases, writers, directors and technical staff rotate in and out, but it is the on air talent that the viewers most closely identify with the show. The actor, who originated the character, has the consistency and a clearer understanding of the inner qualities that keeps it popular and growing. The initial writers may have created the characters, but it is the actors who take them off the page and make them real to the audience. Even if the originating writer remains with the show, there needs to be a cooperative effort between the writer and actor in order for the character to develop. Without this balance, the character will not be consistent or believable. The writer has to understand the character in order to make it convincing, just as the actor has to be comfortable living in the character’s skin to keep the characterization a good fit.

Writers who step into an existing show need to play catch up. No matter how much outside research she or he does, the actor who has lived in the role will be the best asset the writer can have. However, the reverse is also true. A new writer can breathe fresh air into a show, giving it new life and inspiration. By bringing in a new perspective, the writer can give new twists to old plots and help the actors develop additional depth to their characters by opening new challenges. There needs to be a balance between the past and the future in order for the show to stay imaginative and original from episode to episode--year to year. As long as a show remains balance by being inventive, while honoring its history, and keeping the egos in check, it will be able to keep its fan base happy; thereby continuing its success.