Theresa Chaze: Come make some good trouble with us

 

If you believe that diversity and inclusion should become so commonplace that they are no longer remarkable, join our mission. Those who work in film and televsion has the means to make this possible. Join our team to make original projects that tell tales about how when we face our fears we become our best selves.

https://youtu.be/WHD9zwedx6Q?si=CMHFLV9lOMWGU2aQ

#supportingdiversity #inclusion #film #television #women #NativeAmericans #IndigeousPeople #veterans #TheresaChaze #KaleidoscopeFilmandTelevision #Michigan #Oklahomas

Kaycee Dutton ( Luke Grimes) could have been the new Billy Jack

 

Taylor Sheridan missed the opportunity to continue the Yellowstone legacy while challenging the status quo of the industry movement toward Conservatism.   Instead of just a western cop show, he had all the elements to create a series that would be comparable to Billy Jack.    However, killing off the character of Monica challenges that possibility. 

The partnership between Monica and Kaycee reflects that of Billy Jack and Jean.  Billy and Kaycee are both wounded warriors who channel their pain into helping and protecting others.  Both teachers, Jean and Monica, were strong women who were idealistic, healing, and brave enough to create a better world.  The storylines would have been expanded beyond the us-versus-them mentality, which was the common theme of the Yellowstone series, into the empowering of veterans and reclaiming the Indigenous cultures.

The trauma of military service and his family history gives Kaycee a unique understanding of the benefits of equine therapy for veterans.  Partnering with Mo Brings Plenty, Kaycee would have created an equine center that intertwined equine therapy with Native healing techniques.    In doing so, it would raise awareness of the benefits of equine therapy for veterans, while challenging the stereotypical image of Indigenous People.  The therapy program would make room for some of the original cowboys to return, plus give opportunities for the appearance of guest stars, including real-life heroes.

Monica’s teaching experience would be continued and expanded to include writing articles and books that teach accurate Indigenous history. Truth-based facts break stereotypes.  It also gives pride to the culture and gains respect from others.  I heard that Kelsey Asbille lied about her ethnicity.  Making a false claim is wrong; it dishonors the stolen culture and the one that was thrown away.  However, killing the character was a big mistake.   It threw away the opportunities to examine the true meaning of family.  Monica would have learned that she was adopted, setting up an emotional and spiritual crisis.  Seeing her whole life as a lie, she no longer knows who she is or where she belongs. The identity and spiritual crisis would have also affected Tate.  Kaycee doesn’t know how to help them.  Normally, Monica would have gone into the mountains to find comfort and wisdom, yet she doesn’t want to again dishonor the Ancestors' and her family’s teachings. Her Grandfather reminds her of all the times she went to seek their guidance and was given the wisdom she sought.  The Great Spirit and the Ancestors knew the truth, even if she didn’t, and gave her what she needed. Heritage is the starting point of a life; it’s not the final destination.  They saw her compassionate heart and warrior spirit; they claimed her just as her parents had when they adopted her into the family.  Monica goes on the vision quest only to return more determined than ever to dispel the lies and honor the Indigenous heritage.

Although the ranches were miles apart, Beth and Rip would remain active parts of Moncia and Kaycee’s lives.  More than just helping each other with the challenges associated with the ranches, they would have to face the political fallout of the Dutton family legacy.  What happened to Jamie?  What would happen if the train station were accidentally discovered? Just because John Dutton was dead and Yellowstone belonged to the Nation, the repercussions would still echo throughout the next generations.

Rip and Carter would work the ranch.  Although Beth would help, it’s not within her temperament to be stay at home wife.  She loves the challenges of the financial and business worlds too much to give them up.  Instead, she would continue to work to change the ranching business model to make it more profitable for family ranches.  She couldn’t do it for her father and the Yellowstone, but she would continue to look for new opportunities to make ranching profitable.

As cousins, Carter and Tate would face their own challenges of growing up and deciding their futures.  What do they want to be when they grow up?  What opportunities do they have?  Both would also face a similar identity crisis—Tate with his heritage and Carter with finding his place in the family dynamics.  Their primary question is the same as all teens: Where do I go from here?

However, unlike Billy Jack, the Indigenous culture would play a more active role.  Thomas Rainwater and Mo Brings Plenty walk the thin line between the Progressives and Traditionalists.   Neither side accepts them.  The storylines would involve Thomas and Mo working to bring the factions together by blending the best of both worlds.  How do they bring jobs and prosperity to their people while still protecting the land?

The family connection between Rainwater and the Duttons was solidified with the transfer of the Yellowstone to the Nation; however, the loss of jobs continues to undercut Rainwater’s leadership. With the internet and diverse competitors, the Rez casinos are experiencing declining returns.   Rainwater must find alternatives.

With common financial experience and business backgrounds, Rainwater and Beth work together to build a meat processing plant and a direct-to-consumer delivery business model.  Benefiting the ranchers with a higher profit return and creating jobs for those on the Reservation, the venture becomes extremely popular and profitable. The business model expands to include other reservations and ranches across the nation, challenging the corporate-run ranches and meatpacking companies. To protect their monopolies, the corporations first attempt to buy their competitors.  When the bribery fails, they turn to alternative means of persuasion.   

To compete with the glitz and glamour of the city casinos, Rainwater works with Monica and Beth to offer the “Native Experience” with spiritual teachings and tours that tell the history of the Nations. They offer peaceful retreats with the primary pitch being, “enjoy all the benefits without the stress and costs of ownership.”  Monica and the Elders plan the events.  Beth uses her connections to promote and market them. 

Instead of just another cop show, this series would have tapped into the nostalgia of Billy Jack while telling suspenseful tales of love, hope, and new beginnings.

Website

 

 

Theresa Chaze: unabashed troublemaker

For most of her life, people have been telling her not to try or to give up. They said her goals were impossible--that she couldn't possibly make any of them happen. But what they were really saying was that they were afraid to try or were afraid she would succeed. If you believe you can't, then you can't; yet if you are certain you can, you can find or make a way to reach your goals. Theresa Pachesny Chaze Film & Television Producer • Writer • Director Email: Tirgana@yahoo.com Website: kaleidoscopefilmandtelevision.com

Veterans can't go back and make a brand new start but they can start from now and make a brand new end

Veterans are people—not political agendas. They served our nation, and many now face life-altering challenges without the support they’ve earned. I am the Creator and Executive Producer of Horses and Heroes, a veteran-based documentary TV series combining equine therapy and peer support to help veterans heal and move forward. The series will consist of 16 episodes (18 broadcast hours) and feature 10 veterans, including two public figures, while employing veterans both on and off camera. We are seeking a corporate partner aligned with supporting veterans and reaching the 18–49-year-old demographic. Our presenting partner would receive prominent brand integration, audience engagement opportunities, and exclusive access to unaired content, while directly supporting nonprofit equine therapy centers that serve veterans at no cost. If this aligns with your mission, buy our shirts and recommend others do the same. Thank you for your time, Theresa Pachesny Chaze Creator & Executive Producer, Horses and Heroes Website #veterans #hiringveterans #documentaryTVseries #equinetherapy #HorsesandHeroes #TheresaChaze

New Veteran Based TV Tells Veterans' Stories

Veterans are people who deserve to be treated as heroes, not political agendas. They have earned the help and support that they need. Horses and Heroes will tell veterans' stories as they work together to learn new coping skills for their physical and emotional challenges. We will also be hiring veterans for the jobs in front of and behind the cameras, while supporting the equine centers that have veteran programs. To learn more, visit our website. https://www.kaleidoscopefilmandtelevision.com/horsesandheroes #veterans #equinetherapy #jobs #ptsd #HorsesandHeroes #TheresaChaze #Army #Airforce #Navy #Marines #CoastGuard #militarysupport

Inclusion with Theresa Chaze Movie Producer 🎬 🎞 🎥 🎦 📽

Linda (LINDA LOVE ❤️) Lemos and I have a wonderful conversation about diversity and inclusion. We talk about supporting age, gender, and ethnic diversity in the workplace and the world To learn more about about Kaleidoscope Film and Television and our slate of projects visit our website https://www.kaleidoscopefilmandtelevision.com/

Veterans: Do they need your support?

Product Placement and Integration benefits brands and projects

 Effective promotion and marketing campaigns remain the keystone for every company’s success. This is especially true during financially challenging times. The expenses are necessary to reach the customers, but finding the money in the budget can be a challenge.  It places the company in a chicken-and-egg situation.   The innovative knows how to get the biggest bang for their bucks.

Product placement is an old-school promotion and marketing technique that, when updated and used properly, outshines traditional and more expensive campaigns. During the early days of television, companies were the sole sponsors of individual TV series.  The brands were so intertwined that they became synonymous with each other.  The Mutual of Omaha’s Wild Kingdom is only one example.  Mutual of Omaha was featured in the title and the hosts promoted the brand within the series.  The increasing production costs made this business model unsustainable, thus establishing the current trend of separating content from advertising.  However, instead of being abandoned, cross-branding transformed into a combination of the two techniques.  This hybrid methodology maximizes the financial benefits for the production by expanding the number of brands embedded into it, while lowering advertising costs and maximizing the longevity of the promotion for each sponsor.

Both models have their benefits and their challenges. With only one sponsor, the full financial weight falls on it, yet the promotional benefits also dramatically increase.  Frequently, the brands become permanently intertwined with the reputation of each, reflecting on the other.   Being able to attract a specific demographic is an additional benefit of this business model. The content organically lures the audience, who find the topic, genre, or personality involved interesting, which gives the sponsor direct access to those it is trying to reach.   Once embedded in the project, the brand continues to be promoted whenever and wherever the project is viewed without additional cost to the sponsor.  Once produced, the connection becomes locked.  Nothing can be added or subtracted without altering the project itself

 

With the separation of the content and advertising, the financial obligations for the sponsor have been lower, but the benefits have also dramatically decreased.  Instead of being an equal partner with the series, the brand becomes only one in the crowd.  Targeted purchases of commercial time do increase the possibility of reaching a specific demographic; however, the cost for such commercial buys increases the cost of each ad.  Network rate cards vary in terms according to the market size, day part, how far in advance the airtime is bought, and the flexibility of the placements.  The more specific the terms, the higher the price tag will be.  The current norm focuses on day part and venue rather than content.  It is little different than throwing spaghetti at a wall and seeing what sticks. Additionally, the separation of content makes the ad buy a one-and-done.  The ad will air according to the terms of the contract and will not air again until another contract for more airtime has been signed and paid for

The hybrid model combines the best aspects of both.  It has the permanence of embedding brands and the cost-effectiveness of the current business model.  Embedding brands manifests in two forms, placement and integration.  The primary difference between the two is the involvement and interaction between the on-screen talent and the brand.   The more interaction between the two, the greater the exposure and the higher the cost.  Placement refers to the product being placed within the set design in such a way that it receives screentime, but without direct interaction with the characters.   Integration refers to products that involve active interaction or usage of the brand name on screen as the characters use or positively speak about the product. 

In the 1984 Ghostbusters, Bill Murray and Sigourney Weaver had a scene in front of her refrigerator.  For nearly thirty seconds of the scene, a Coke has been placed on a shelf between them.  They don’t look at it or refer to it, yet it has a notable presence in the scene. More recently, in the series Yellowstone, Marlboro circumvented the legal restrictions against on-air advertising of tobacco and smoking products.  In several scenes, the character Beth opened a Marlboro box, took out a cigarette, and smoked it.  Nothing was said about the brand.  It was just a matter of course that Beth smoked.  However, instead of concealing the brand, the name received screen time.

Timing is another primary difference in the promotional models.  Cross-branding placement has longevity and permanence; however, its benefits are delayed until the release of the project.  Purchasing airtime within commercial breaks has immediacy of exposure, yet a short shelf life. The rate card for each also radically differs. The cost for placement is based on length of screentime in seconds, active/passive presentation, actress/actor involved, and the genre.  Whether an Indie or studio project, an A-list talent will garner a higher rate per second.  However, in order to accommodate the two-minute commercial breaks, ads have been limited to standardized lengths of 15, 30, 45, 60, and 120 seconds. The rate cards base their fees on the rating of the program; the higher the rating the more costly the placement will be.

 

Never Can Say Good-bye’s production team will reinvent the definitions of innovation, moxie, and creativity as they place and integrate brands within the project.  It will feature products that are normally overlooked, while offering traditional sponsors a fresh perspective on how their products or brands will appear on the screen.  Although the genre of paranormal-thrillers attracts the 18–49-year-old demographic, by supporting age, gender, and ethnic diversity, Never Can Say Good-bye will broaden and enhance that target base. Thereby, it will expand the sponsors’ promotional reach beyond expectations.

 

By combining brands, Never Can Say Good-bye will give the scenes a real-world feel. In addition to being placed or integrated into the scenes, the name of the brand will be used whenever possible. For example, in the scenes within the cars, a radio station will be playing in the background.  The station will be identified by its call letters. Depending on the length of the scene, from one to two thirty-second commercials will air for any family-friendly product.  There will also be a running joke about how the supporting character, Amanda, is trying to win a radio contest.  She is more than capable of buying her own, but she tells others that it tastes better when she wins it.  Her attempts to call in are frequently thwarted by others.  These details will be added in the final script. 

A motorized wheelchair will be used by Amanda, who is well-respected in her community.  She will be seen using it in and outside her home.  In addition, it will also have screen time as it is used on various terrains, including city streets/sidewalks, college campus, and a cemetery.  Extras of various ages, genders, and ethnicities will be seen using them.  However, the budget line only includes the screentime in which Amanda is featured.  The scenes with the extras will be considered bonuses.  The sponsor will be expected to provide the necessary motorized wheelchairs that will be donated to non-profits after the production; the sponsor will receive the tax deduction.

For a complete list of placement opportunities available through the contact information on the website.  

Website

Horses and Heroes: A documentary TV series for veterans

 

 

Horses and Heroes will take ten veterans, including two celebrities, on a healing adventure of self-discovery as they confront their ghosts and make peace with them.  The cast will be interacting with each other as well as the horses.  On the surface, it sounds ambiguous and exploitative. However, Horses and Heroes is solely about healing and new beginnings, not exploiting people’s pain to make a buck.  Which is why the series will never have a typical teaser reel.   It would be cruel to bring the team together to start the healing process, which will open their wounds and then tell them to just put a pin in it. 

Military personnel and veterans have a language and awareness that is all their own. Vet-to-vet support brings veterans together to support each other as they confront their ghosts. They know the language.  They know the dodges.  They can see the distance growing in each other’s eyes and know how to pull the other back from the edge.  Tempers may flare.  Tears may fall, But the sisterhood and brotherhood that kept them safe will also bring them the rest of the way home.

That’s not to say that Horses and Heroes will be all sad sob stories.  On the contrary, they will be the exception, not the rule.  Snarkiness, dark humor, and practical jokes, especially between the different branches, open the door for “you ain't seen nothing yet”.  This makes the cast the Y factor.  Anyone who has ever worked with animals knows how unpredictable they can be.  Horses are even more so, which is why no matter how the production team pre-plans and organizes, the horses will always be the X-factor that will make things go sideways. 

In this case, X plus Y will add up to a unique series that supports healing, positive forward movement, and new beginnings.  Japan has a specialized art form called Kintsugi, which means "golden joinery."  It is the process of repairing broken pottery by mixing powdered gold, silver, or platinum in the glue to highlight where the pieces are reconnected.  It’s a philosophy that believes that the “brokenness” is part of its history, which should be honored instead of being ignored.  Horses and Heroes honors the service and futures of the cast and all those who have served. 

Additionally, Horses and Heroes will be hiring veterans for jobs in front of and behind the cameras.    There are already many veterans working in the entertainment industry.  The production team will give the necessary training and experience to those who want new careers.

Most equine centers offer their programs free to veterans. As non-profits, they are limited by their ability to raise funds.  The centers that host Horses and Heroes will be paid a location fee, receive national exposure, and a percentage of the net profits from the season they host.

Horses and Heroes' production team is looking for equity investors and corporations that
want their mission to succeed.  To raise awareness and generate development funds, they have created a line of shirts that are shipped directly from the manufacturer and cost approximately $35. The link is on the website, along with the links to find equine centers around the nation.  Veterans can’t go back and make a brand-new start, but with your support, they can start from now and make a brand-new end.

Please visit the website to learn more about Horses and Heroes and to purchase shirts.  https://www.kaleidoscopefilmandtelevision.com/horsesandheroes.

Kaleidoscope Film and Television produces original projects that challenge the status quo..

Returning control to the creatives.

https://www.kaleidoscopefilmandtelevision.com/

 

 

 

 

 

 

 

 

When love is forever...

 

Do you like ghost stories? Ones that tell tales of love, loss, and revenge? Kaleidoscope Film and Television, in association with Cosmos Productions, CKR Casting, and Buffalo Speedway Film Company, announces it will be producing the paranormal thriller Never Can Say Good-bye in late summer and early fall in Northern Michigan. When possible, the cast and crew will be hired from the residents of the state or those who have a connection to Michigan. 

The primary goal is to produce quality entertainment based on age, gender, and ethnic diversity. However, the secondary objective will be to bring balanced messaging about Michigan and its people. With the loudest voices creating negative national and international controversies, the beauty of the state and its amazing population has become overshadowed. 

Never Can Say Good-bye will show Michigan's beauty within the film and in the associated marketing campaign called, Nowhere else like it. From lush forests, nearly endless shores, and communities from villages to the Detroit international hub, the campaign will take the cast and crew on adventures around the state, visiting the unique events, locations, and businesses that very few know exist.

Never Can Say Good-bye will tell the tale of how the spirit of a murdered child becomes imprisoned in her family home, waiting for her parents to free her. But they have reincarnated and have moved on to new lives as has her killer. Randi must bring them back together so that they can forgive themselves and each other. If she succeeds, they will all heal and she will be freed to reincarnate. If she fails and they seek the revenge they were denied in the past, they will all be damned. The past and the present intertwine to create an innovative spin on the ghostly genre as the characters are led down a path of love, guilt, betrayal, revenge, and murder.

The casting and the hiring crew have already begun. The location manager is currently looking for locations, including two Victorian mansions. Additionally, the team has begun contacting Michigan-based corporations that are seeking to promote their brand to the 18-49 year old demographic. More information can be found on the website

https://www.kaleidoscopefilmandtelevision.com/nevercansaygood-bye

 

 #Michigan #featurefilm #ghost #suspense #horror #Paranormal #NeverCanSayGoodbye #TheresaChaze

 

Wiccan Ritual Opens a Door to the Past

 

He slowly walked out of her reach. "I'm sorry."

 

“For what?” Shawn Michael demanded, stepping off the main path. He was quickly followed by Damien MacNab, Richard Connell,  and Keith Connell. “Explain yourself, boy!”

 

“I told you!” Keith volunteered, pointing at Shannon and Michael. “I told you they were together.”

 

Shannon Marie's gaze quickly darted from her father to the smirking Keith. Anger rose within. “Papa. Whatever he told you,” she jutted her chin in Keith's direction, “is a lie.”

 

“Shut up girl!” Richard snapped, sauntering into the glade. “He said you were together.”

 

“Harlot!” Keith smugly pointed at her; the condescension in his voice matched his father. “Just like your Seanhair!”

 

Shawn Michael snapped around; his left hand reaching for the dagger at his belt. “Richard, shut your bastard up!” The warning hung in the air between them, threatening to become more than a verbal battle.

 

“Michael?” Always the gentleman, Damien squared his shoulders and composed himself. With relaxed, yet directed long strides, he quickly crossed the distance between himself and his son. Damien reached out slightly and tilted his head so that their matching deep hazel eyes met. “Why were the two of you here together?”

 

“Father, we always come to honor Bridget.” Michael’s gaze did not waver.

 

Shannon was suddenly aware of how alike in manner and appearance they were. Without Damien’s beard, it was like the men were looking in mirror reflections of themselves; one towards the past and the other toward the future. Both were warriors; but whereas Damien had aged into a statesman, Michael still had the temperament and the physical stamina of a warrior and a hunter. Although their eyes were the same shape and color. Damien’s held wisdom. Michael’s were those of a seer who saw other times and places.

 

“I would never dishonor you or myself.” Michael continued. “Nor would I betray her father’s trust.” He turned toward Shawn. “Sir, your daughter and I have been friends for as long as I can remember. You never questioned us before. Why would you doubt us now?”

 

“We always have been together since we were children. Rachael and Scott used to come with us.” Shannon Marie interceded. “Since Scott was sent to the monastery, Rachael does not come anymore. Michael and I promise to always remember them to Bridget. We are honor-bound. Rachael gave me her offering.” She pulled the coins from her pocket.

 

“Pagan—“

 

“Shut up!” Shawn Michael snapped, cutting off Richard. The anger in his voice was sharper than the blade at his belt. “My daughter does not lie.”

 

“Neither does my”--

 

“Your son?” Richard cut Damien off. “Are you dishonoring your legit heirs by acknowledging your bastard?”

 

Shawn Michael crossed the few yards between himself and Shannon Marie. His voice softened when he spoke to her, yet the anger, which was only inches away, remained directed at the Connells. “Little Elf, what oath did you give.”

 

“The four of us made a blood oath on Bridget’s altar to be each other’s defenders and protectors.” Michael quickly answered, stepping toward the father and daughter pair. “We are one in her name.”

 

“Yes, Papa. It is true.” Shannon Marie looked up into her father’s eyes, trying to get him to understand how she felt about Michael without her being forced to put it into words. They were more than friends, yet they both knew that was all it would ever be. How could she speak what her heart felt in front of all of them when she could not say it out loud to the person who meant the most?  Angrily she looked at the Connells.

 

Arrogantly,  Keith stood beside his father,  his arms folded across his

chest. She hated him the most for his pretense. His parentage was no better than Michael’s, yet he presented himself as a son of rank.

“But it’s none of their concern. Michael is honorable. Neither of us would do anything to disgrace ourselves or our families.” She pointed at Keith. “He cannot say the same.”

 

"There was nothing more?" Damien demanded, stepping back and scratching his graying beard.

 

“Nothing worth speaking of.” Michael whispered and turned toward the altar. “I-we-it doesn’t matter. We have done nothing to shame ourselves or our families.”

 

Damien’s voice softened as he stepped around Michael and lifted his chin as if he were a small boy instead of a nearly grown man. “Speak the words of your heart.”

 

“I can’t Father. I don’t have the right.” Michael turned away and walked back to Bridget's altar. He stood there with his back to them all.

 

Damien's gaze followed his son, but his eyes quickly moved on to the stone formation that honored The Horned One, Cernuous. Scratching his beard, he seemed to be seeking an answer from the God. He blinked and shifted his weight to look at Shawn Michael. He slightly nodded. “Your daughter is an honorable young woman. So is my son. I believe both of them.”

 

Without hesitating, Shawn Michael returned the gesture. He faltered for a moment as if he were choosing his words carefully. “The Clans have their ways for good or bad. They cannot be changed. At least not from the inside. But not all of us are from the inside. Shannon Marie’s Seanhair is not of the Clans. When I married her daughter, we created a new tradition that was not quite Clan, not quite de Medici. I agree to release my claims to my wife’s family possessions. I gave her my family's name. As with the Clans’ traditions, my eldest daughter and her husband would inherit the clan title and honors...but Madam de Medici would name her heir. Do you understand?”

 

Shannon Marie did not. There was no reason for Papa to be speaking about the family business. Especially not now. Besides, Damien was Papa’s best friend. He knew all this already. None of it was a secret.

 

Damien slowly nodded his head.

 

Shawn Michael continued. “Some traditions can be broken without reproach. Others only bent. But some traditions cannot be broken. My daughter is of honorable blood. She deserves all her birthrights. Not everyone will accept Jacqueline De Medici's decisions and choices. They will try to take by force what they can’t have by law.”

 

“Strong friends and family alliances are shelter in such storms.” Damien interjected. “An honorable family, we would fight to the death to protect their own whether by blood or marriage. I speak for MacNab Clan and all our kin and all our kin’s kin when I say we are such an honorable family.”

 

“We have an agreement!” The elder Connell angrily barked.

 

“And it will be kept!” Shawn Michael matched his tone as he snapped around. “To bring peace between our clan, my eldest daughter and heir will marry yours. I will keep my word as long as you honor your end of the bargain. Shannon Marie has been and will be Madam de Medici's heir.”

 

“That wasn’t the agreement!” Connell growled advancing on Shawn Michael. "The estates go to the husband of the eldest daughter if there is no legit male heir. My son is entitled--"

 

“To the small estate, my father shall bestow on me.” Shawn Michael cut him off. “And the title.”

 

“Only you and yours thought that there was more. The rest knew the lay of the land.” Damien added, standing beside Shawn. “You were a fool to expect otherwise.”

 

“Tradition is tradition.” The elder Connell snarled. “Eldest child--legitimate child,” he corrected himself, “inherits the family title and property.”

 

Shannon Marie knew there was more to his meaning than his words conveyed. They were talking about clan agreements and marriage as if they were interchangeable. But Seanhair taught her that she would always have the right to choose with whom she shared her bed. Did not her older sister have the same right? Again she had the strange feeling of not being alone within herself--it felt as if a stranger was also looking out of her eyes and hearing as she heard.

 

This was important. Alyssa knew it was a turning point. A path had been chosen, yet she knew not what the options were. Nor was it her right to decide. Something had been just set in motion.

 

Shannon felt the stranger within her. From the beyond, words from another place echoed within her—“To another place to the other time take me back to the beginning of this crime. Let me see and understand the unfolding of this karmic plan. Show me now in this light how to make this wrong a right.”

 

Fear suddenly overwhelmed her. Shannon did not understand why this moment was so important. Why were Damien and Papa talking formally as if they were at court? They were friends. Always. For as long as she could remember, they had spoken openly as brothers. She looked at Michael; he was closed off to her. She wanted to reach out to Papa; she couldn't force her feet to move the few steps between them.

 

“I give you my word.” Damien continued, “The MacNab Clan honors the traditions of the other clans' families. We will respect the understanding between the Cullen clan and Madam de Medici.”

 

Shawn Michael slowly nodded.

 

Damien MacNab returned the gesture. “I'll make the arrangements with Laird MacDonald to make the first announcement.” He turned toward Bridget’s altar. “Michael, come here.”

 

Michael immediately bowed in reverence to Bridget and returned to his father’s side. Damien leaned forward and whispered into his ear. For a moment, Michael stepped back, looking first at Bridget’s altar and then at Shannon.

 

Damien stepped closer and continued to speak in a voice so low it did not carry across the field. As he finished, Michael slowly nodded but said nothing.

 

Shannon Marie saw regret and sadness in his eyes. Their eyes met briefly. Michael turned away and looked at Bridget’s altar. It was like he was mourning part of himself. Disappointment and grief radiated from him.

Available in paperback and as Kindle on Amazon.

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#paranormalthriller #karmicromance #Notforourselves #TheresaChaze #wiccan #pagan #reincarnation #rituals #pastlives